In this video, we compare and rank 20 popular Digital Audio Workstations based on their Dolby Atmos capabilities, providing insights for both professionals and hobbyists looking to dive into spatial audio production.

In this video, we explore the Fiedler Audio Mastering Console for Dolby Atmos, a standalone tool that allows users to easily remaster Dolby Atmos master files using the Gravitas dynamics processing module for tasks such as adding sidechain compression without the need for a digital audio workstation.

In this video, we explore the features and quirks of Lumina Delay, an affordable and intuitive multi-tap delay plugin from Mountain Road DSP that can handle immersive audio formats up to 7.1.4.

In this video, we explore the integration of Fiedler Audio's SpaceLab and Gravitas plugins with our Dolby Atmos Maschine setup, creating immersive reverbs and dynamic sidechaining effects that showcase the endless creative possibilities of this powerful combination.

In this video, we explore the surprisingly easy and cost-effective process of producing Dolby Atmos within the Native Instruments Maschine ecosystem using the Fiedler Audio Dolby Atmos Composer plugin.

In this video, I demonstrate how Fiedler Audio's Gravitas plugin can be used to sidechain a 16-channel third-order ambisonics track with another 16-channel third-order ambisonics track, showcasing its unique capabilities and versatility in creative audio processing.

In this video I explore Fiedler Audio's new plugin, Gravitas, showcasing its unique approach to dynamics processing, particularly for multichannel audio and Dolby Atmos.

In this video I explore Harrison Mixbus 10's post-fader inserts and its groundbreaking Dolby Atmos implementation on Linux.

This video demonstrates an advanced routing setup for using Dolby Atmos in Harrison Mixbus 10 within a stereo mixing environment, utilizing Ginger Audio's GroundControl Sphere and Apple Spatial Audio Monitoring with AirPods to seamlessly switch between immersive 7.1.4, binaural, and stereo outputs.

Harrison Mixbus 10's straightforward implementation of Dolby Atmos allows users to easily convert their stereo projects into immersive audio mixes, making it an attractive option for those looking to create Dolby Atmos content without the complexity found in other digital audio workstations.

In this Q&A video, I tackle a range of viewer questions about spatial audio, binaural rendering, room correction, and the challenges of creating personalized HRTFs.

In this video, I explore the latest developments in using Apple Spatial Binaural Rendering for Dolby Atmos production workflows, demonstrating how to set up immersive 3D audio experiences in Studio One and Ableton Live using native support and the updated Audiomover's Binaural Rendering plugin.

In this video, I explore the 360 WalkMix Creator, the core of Sony's 360 Reality Audio format, demonstrating its ease of use and impressive capabilities within Ableton Live 12, while also discussing the concerning accessibility issues and the need for Sony to reevaluate their approach to make the technology more widely available to producers and students.

In this comprehensive review, I explore the Voyage Audio Spatial Mic, a versatile second-order Ambisonics microphone with 8 capsules, demonstrating its ability to function as a mono, stereo, or surround sound microphone, and showcasing its impressive performance in various sound tests and applications, making it an excellent choice for anyone interested in spatial audio.

In this video, I dive into two innovative plugins: Audio Brewers' Astrometry Delay, an immersive tap delay with unique features, and NovoNotes' SideRack, which allows you to integrate iOS audio units into your DAW, showcasing their capabilities and potential applications in music production and sound design.